Orazio Gentileschi – The Annunciation
c.1623 oil on canvas
Location: Savoy Gallery, Turin (Galleria Sabauda).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Adjacent to her kneels a winged figure, rendered in hues of gold and rose. The angel’s posture is one of reverence; its head is bowed slightly towards the woman, while one hand extends outwards, seemingly offering something – a white lily held within its grasp. This flower traditionally symbolizes purity and innocence, reinforcing the sacred nature of the encounter.
The light source originates from a window positioned to the right of the composition. It illuminates the figures directly, creating a dramatic spotlight effect that isolates them against the enveloping darkness. The window itself is framed by architectural elements, hinting at an enclosed space, perhaps a chamber or private room. A dove hovers near the window, further emphasizing the spiritual dimension of the event.
The artist’s use of color and light contributes to a sense of heightened emotion and solemnity. The deep reds in the womans garments suggest passion and sacrifice, while the gold tones on the angel evoke divinity and grace. The stark contrast between illumination and shadow creates an atmosphere of mystery and anticipation.
Subtly, the composition seems to explore themes of divine intervention and human acceptance. The woman’s initial reaction – a mixture of surprise and quiet resolve – suggests a profound internal struggle as she grapples with the implications of what is being communicated. The angels gesture implies an offering, not just of a flower but perhaps of a destiny that will irrevocably alter her life. The overall effect is one of poised stillness, capturing a pivotal moment in time where the ordinary intersects with the extraordinary.