David II Teniers – The Rape of Europa
1654~56. 21×31 cm
Location: Art Institute, Chicago.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left of the central action, two figures are depicted running along the shoreline. Their gestures – one raised in apparent alarm, the other seemingly offering assistance – suggest they are witnesses or participants in this unfolding event. The artist has rendered them with dynamic movement, emphasizing their urgency. A smaller animal, possibly a dog, accompanies them.
The sky above is filled with dramatic light, emanating from an unseen source and casting long shadows across the mountains. This illumination creates a sense of divine intervention or otherworldly presence, intensifying the emotional weight of the scene. The color palette is predominantly warm – ochres, browns, and reds – which contributes to the overall feeling of intensity and passion.
Subtly, the painting explores themes of power, abduction, and transformation. The bull’s strength and dominance are evident in its size and posture, while the womans vulnerability is underscored by her passive position. The running figures introduce a narrative element – a sense of pursuit or escape. The landscape itself seems to be an active participant, with the turbulent water symbolizing chaos and the mountains representing insurmountable obstacles.
The use of light suggests that this event is not merely physical but also carries symbolic significance, perhaps hinting at a transition or metamorphosis. The overall effect is one of heightened drama and emotional complexity, leaving the viewer to contemplate the nature of agency, fate, and the interplay between human and divine forces.