Riccardo Quartararo – The Dormition of the Virgin
1492-94
Location: Museum Capodimonte, Naples (Museo di Capodimonte).
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Below this upper register, a group of figures is arranged around a central horizontal element: a shrouded form lying on what appears to be a raised platform or bier. The individuals surrounding the form display a range of emotional responses; some appear to be engaged in prayer, others seem to observe with reverence, and still others are actively reading from books. Each figure is encircled by a halo, signifying their sanctity.
The artist has employed a palette dominated by reds, browns, and golds, which contribute to the overall solemnity and richness of the scene. The use of light is particularly noteworthy; it emanates primarily from the upper register, illuminating the central figures and casting the lower portion in relative shadow. This contrast reinforces the hierarchical relationship between the divine realm and the earthly one.
The subtexts within this painting are complex and layered. The shrouded form suggests a transition – a passage from life to an afterlife or heavenly state. The presence of the reading figures implies the importance of scripture and tradition in understanding this event. Their postures, some bowed in prayer, others engaged with texts, suggest both personal devotion and communal ritual.
The arrangement of the group around the central form creates a sense of collective mourning and veneration. It is likely intended to evoke feelings of piety and contemplation within the viewer, prompting reflection on themes of mortality, faith, and divine grace. The overall effect is one of profound solemnity and spiritual significance.