Adrienne (Woman with Bangs), 1917, NG Washington Amedeo Modigliani (1884-1920)

The portrait presents a woman in profile, her gaze directed towards the viewer with a detached and somewhat melancholic expression. Her features are elongated and stylized; the nose is prominent, the lips thin and precisely delineated, and the eyes possess a certain stillness that contributes to an overall sense of introspection. Dark bangs frame her face, emphasizing the linearity of her features and adding a touch of formality to her appearance.
The artist employed a restricted palette dominated by earthy tones – browns, ochres, and muted reds – which contribute to a somber atmosphere. The background is rendered in broad, flat planes of color, lacking any discernible spatial depth or detail. This simplification serves to isolate the figure and direct attention towards her countenance. A patterned textile appears behind her head, its design obscured by the application of paint, suggesting an interior setting but offering little concrete information about the location.
The woman’s arm rests against what seems to be a decorative element – perhaps part of a chair or screen – painted in similar muted tones. The hand is rendered with a simplified form, lacking detailed articulation. Her clothing appears dark and understated, further reinforcing the sense of restraint and formality.
Subtly, theres an ambiguity present within the work. While the woman’s posture suggests a degree of composure, her expression hints at underlying vulnerability or perhaps even resignation. The flattened perspective and stylized features contribute to a feeling of distance between the subject and the viewer, preventing easy emotional connection. This sense of detachment might be interpreted as reflecting a broader societal mood of disillusionment following wartime experiences, or it could represent an exploration of identity and self-perception within a rapidly changing world. The overall effect is one of quiet contemplation, inviting viewers to consider the complexities of human emotion beneath a veneer of composure.