130 Beatrice explains to Dante the structure of Heavenly Paradise Divina Commedia (1444-1450)

The composition presents a scene unfolding within a stylized landscape dominated by a vibrant blue sky. A central figure, draped in flowing robes of pink and gold, appears to be ascending or gesturing towards a celestial sphere. This sphere is encircled by concentric rings of red and gold, suggesting a structured cosmology. Emanating from the sphere are radiant beams of light that illuminate the surrounding area.
On the left side of the scene, a group of young boys, seemingly cherubic in appearance, populate a grassy field. They hold various objects – a shepherds crook, a staff, and what appears to be a small flag or banner – suggesting pastoral roles or symbolic representations of virtues. A variety of animals are scattered throughout this area: a swan gracefully moves through the water, a boar charges forward, a fox sits alertly, and a rooster stands prominently, its comb vividly colored. These creatures contribute to an atmosphere that blends innocence with potential danger or hidden meaning.
The figure on the right, clad in blue robes, raises their arms in what could be interpreted as either supplication, explanation, or guidance. Their posture conveys a sense of authority and connection to the celestial realm. The positioning of this individual relative to the sphere and the boys suggests a hierarchical relationship – perhaps an intermediary between the divine and the earthly.
The overall effect is one of didactic illustration. The scene seems designed to convey complex theological concepts through visual allegory. The landscape, while rendered in a simplified manner, provides a stage for the unfolding narrative. The animals likely carry symbolic weight, referencing virtues, vices, or aspects of human nature. The boys could represent souls being guided towards enlightenment. The celestial sphere and the figure’s gestures point to an overarching structure of divine order and knowledge being imparted. The color palette – particularly the use of blue to signify heavenliness and gold for divinity – reinforces this symbolic framework.