David Johns – aware of the holy
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Here we see what appears to be a deconstruction of recognizable figures; human forms are suggested through abstracted contours but remain elusive, dissolving into the surrounding color fields. The artist employed a technique that blends hard-edged geometric elements with softer, more organic brushstrokes, creating a visual tension between structure and fluidity. A distinct vertical band on the right side is composed of stepped or layered shapes, reminiscent of architectural details or perhaps stylized representations of natural formations like cliffs or terraces.
Several recurring motifs draw attention. Angular projections, resembling stylized wings or sharp blades, punctuate the composition at various points – lower left, upper right, and centrally positioned. These elements introduce a dynamic quality, suggesting movement or potential conflict. The color choices contribute to the overall mood; the subdued reds evoke a sense of warmth and perhaps underlying passion, while the blues suggest introspection or melancholy. The white areas offer moments of respite from the intensity of the other colors, acting as visual anchors within the chaotic arrangement.
Subtly embedded within this abstract landscape are hints of narrative potential. The fragmented forms could be interpreted as representing a psychological state – a sense of disorientation, fragmentation, or struggle for coherence. The recurring motifs might symbolize aspirations, anxieties, or protective barriers. The dark border at the bottom creates an impression of confinement, while the upper section suggests a yearning towards something beyond reach. Ultimately, the painting resists easy interpretation; it invites contemplation on themes of identity, perception, and the elusive nature of reality.