Joseph Francis Nollekens – Children Playing with a Hobby Horse
1741~1747. 46×56
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The central group consists of four children, arranged in a semi-circle on the moving platform. The child at the apex appears to be the focal point; they are dressed in white and wear a mask, creating an air of playful mystery. Flanking this figure are two girls, one in a pink dress and another in blue, their expressions suggesting amusement and participation in the game. A final child, positioned on the right edge, holds what seems to be a small dog or toy animal, further contributing to the scenes lighthearted atmosphere.
The backdrop is meticulously rendered. Architectural elements – pillars and a wall – define the space, hinting at an aristocratic estate or formal garden. Beyond these structures, a landscape unfolds with trees and distant buildings, establishing depth and suggesting a broader world beyond the immediate play area. The use of muted greens and browns in the foliage contrasts with the brighter colors of the children’s clothing, ensuring they remain visually prominent.
Subtleties within the painting invite deeper consideration. The masked child introduces an element of theatricality and perhaps a commentary on identity or social roles. The hobby horse itself can be interpreted as a symbol of childhood imagination and freedom from constraint. The carefully orchestrated setting – the formal architecture juxtaposed with the spontaneous play – suggests a controlled environment where youthful exuberance is permitted, but within defined boundaries. Theres an underlying sense of observation; the artist seems to have captured a fleeting moment of aristocratic leisure, presenting it as both charming and subtly revealing of social dynamics. The overall effect is one of idyllic innocence tempered by the awareness of societal structures.