hose op 800x627 op 800x627 Raymond Nordwall

The composition presents a stylized equine figure dominating the central space. The animal is rendered in a vibrant, saturated red hue, its form simplified into geometric planes and sharp angles. This reduction of naturalistic detail lends it a sense of abstraction, moving beyond mere representation towards an exploration of form and energy.
Here we see the horse depicted mid-stride, suggesting movement and dynamism. Its head is lowered, as if in exertion or focused intent, while its legs are elongated and angular, contributing to the overall impression of forceful propulsion. The tail is a stark black contrast against the red body, further emphasizing the animal’s motion.
The background is constructed from blocks of color – blues, pinks, and greens – arranged in an ambiguous spatial relationship. These planes do not create a sense of depth or perspective; instead, they function as abstract forms that interact with the central figure. The colors are applied broadly, without meticulous blending, which reinforces the painting’s overall flatness and stylized aesthetic.
The artists use of bold outlines around the horse’s form creates a graphic quality, almost like a woodcut or linocut print. This contributes to the work’s sense of immediacy and directness. The signature in the lower right corner is discreet but legible, anchoring the composition within a specific authorship.
Subtly, theres an underlying tension between the animal’s powerful presence and the fragmented nature of its surroundings. The geometric simplification and flattened perspective could be interpreted as symbolizing confinement or a distorted perception of reality. Alternatively, the vibrant colors and dynamic pose might suggest a celebration of strength and vitality despite these constraints. Ultimately, the painting resists easy interpretation, inviting viewers to engage with its formal elements and construct their own meaning from the interplay of form, color, and gesture.