Durer Engravings – Mass of St. Gregory
1511 Woodcut VNG
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Behind him, a group of onlookers – men dressed in clerical garb – are arranged in a semi-circle, their faces exhibiting expressions ranging from solemnity to quiet contemplation. Their proximity to the altar suggests participation in or observation of the ritualistic action taking place. The artist has rendered them with meticulous detail, emphasizing the texture and folds of their garments through precise line work.
Above this earthly scene, a dramatic upper register introduces elements that transcend the immediate setting. A muscular figure, seemingly bound or suspended, is positioned against a backdrop of swirling clouds. This figure’s posture – a combination of suffering and resignation – immediately draws attention to his plight. A ladder leans precariously against him, suggesting an attempt at rescue or ascension.
Hovering above this scene, a winged being appears, holding aloft a cross. The placement of the cross directly above the suffering figure establishes a symbolic connection between sacrifice, redemption, and divine intervention. The swirling clouds behind the angelic presence contribute to a sense of ethereal otherworldliness, reinforcing the spiritual dimension of the event.
The artist’s use of chiaroscuro – the interplay of light and shadow – is particularly noteworthy. Strong contrasts heighten the emotional intensity of the scene, emphasizing the suffering of the figure above while simultaneously illuminating the solemnity of the ritual below. The meticulous cross-hatching throughout the composition creates a palpable sense of texture and depth, contributing to the overall visual complexity.
Subtly embedded within this narrative are themes of sacrifice, faith, and divine grace. The ladder’s presence hints at an aspiration beyond earthly limitations, while the suffering figure embodies the burden of sin and the promise of salvation. The compositions verticality – from the kneeling officiant to the suspended figure above – underscores a hierarchical structure, suggesting a relationship between the human realm and the divine.