Martin van Meytens II (Attributed) – Ulrika Eleonora (1688-1741), Queen of Sweden
1730.
Location: National Museum (Nationalmuseum), Stockholm.
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Here we see an elaborate arrangement of clothing and adornment intended to convey status and authority. A pale grey gown, heavily embroidered with floral motifs, dominates the visual field. Its low neckline reveals a glimpse of skin and emphasizes the delicate lace detailing at the collar. Drapped over her shoulders is a rich blue mantle lined with fur, suggesting regal power and warmth. A small golden crown rests upon her head, its design understated yet clearly indicative of royal rank. The hair is styled in an elaborate fashion, arranged into soft curls and loops around her face, further contributing to the overall impression of refinement and elegance.
The lighting is carefully controlled; it illuminates the woman’s face and upper body, highlighting the texture of the fabrics and emphasizing her features. Shadows are used subtly to model her form and create a sense of depth. The artist has rendered the skin tones with considerable skill, conveying a sense of both vitality and composure.
Subtleties within the portrait suggest more than just a straightforward depiction of royalty. The woman’s expression is not overtly joyful or demonstrative; instead, it conveys a quiet dignity and perhaps even a hint of melancholy. This restraint could be interpreted as an indication of the burdens associated with her position. The muted color palette, dominated by grey, blue, and gold, contributes to a sense of formality and solemnity. The absence of any discernible background elements reinforces the subject’s isolation and emphasizes her role as a figure apart from everyday life.
The overall effect is one of controlled grandeur, designed to project an image of power, grace, and unwavering composure – qualities expected of someone holding a position of significant authority.