Raffaellino da Reggio – Tobias and the Angel
1570-78. 107x69
Location: Borghese gallery, Rome (Galleria Borghese).
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The background is layered with foliage, transitioning into distant hills and a hazy cityscape visible on the horizon. The landscape appears both idyllic and somewhat forbidding, hinting at an unknown journey or destination. The artist has employed a dramatic use of chiaroscuro – strong contrasts between light and shadow – which emphasizes the figures’ physicality and contributes to the overall sense of narrative tension.
The subtexts within this work revolve around themes of guidance, protection, and divine intervention. The outstretched hand of the first figure implies an offering or a plea for assistance. The presence of the fish, a symbol often associated with abundance and redemption in religious iconography, suggests a blessing or a provision made by a higher power. The boy’s posture, while seemingly vulnerable, also conveys a sense of duty and acceptance of his role within this unfolding narrative.
The dogs inclusion adds an element of fidelity and companionship, reinforcing the idea that even in moments of uncertainty, support can be found in unexpected places. The distant cityscape, barely discernible through the foliage, hints at a larger world beyond their immediate surroundings – a destination or a future yet to be realized. Overall, the painting conveys a sense of quiet solemnity and anticipation, inviting contemplation on themes of faith, responsibility, and the mysteries of divine providence.