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The artist employed a loose and expressive style; lines are fluid and often broken, contributing to a sense of immediacy and spontaneity. The snow itself isnt depicted as uniform; instead, it’s suggested through varied textures – some areas appear smooth and flat, while others show agitated brushstrokes that convey the unevenness of the surface. The rocks jut out from the snow cover, their forms defined by darker washes which create a sense of depth and volume.
Above the figures, the landscape rises into a suggestion of hills or low mountains, rendered with broad strokes of grey-brown ink. The sky is indistinct, blending seamlessly with the background, further emphasizing the bleakness and isolation of the scene. A few delicate lines suggest bare branches reaching upwards, adding to the overall feeling of desolation.
The figures themselves are largely indistinguishable; their cloaked forms merge into one another, suggesting a collective identity rather than individual personalities. Their posture – huddled together – implies vulnerability and a shared need for protection from the harsh elements. The presence of what appears to be a simple wooden cross or marker near the group introduces a potential religious subtext, hinting at themes of faith, endurance, and perhaps even suffering.
The drawing’s subdued palette and sketchy execution evoke a mood of quiet contemplation and melancholy. It is not a celebratory depiction of winter; rather, it conveys a sense of hardship and resilience in the face of adversity. The lack of detail encourages viewers to project their own interpretations onto the scene, fostering an emotional connection with the depicted figures and their environment.