#52816 Germany

The diptych presents two still-life compositions, each featuring a floral arrangement contained within a silver vase. The left panel displays irises in varying shades of yellow and brown, their petals rendered with meticulous detail that captures the texture and subtle gradations of color. These blooms emerge from the vase at an angle, creating a dynamic sense of movement and reaching towards the viewer.
The right panel mirrors this structure, but showcases white lilies alongside what appear to be dark red poppies or similar blossoms. The lilies’ purity contrasts with the darker hues in the other arrangement, establishing a visual dialogue between the two halves. Both vases rest on a low, subtly reflective surface that contributes to the overall sense of depth and realism.
Inscribed upon each vase is 1562 and a Latin phrase: “IN HERBIS ET IN LILIB” (left) and “IN VERBIS IN H.” (right). The inscription suggests a connection between the floral imagery and botanical or literary themes, potentially alluding to concepts of growth, language, or hidden meanings.
The dark background serves to isolate the arrangements, drawing attention to their form and color. This stark contrast enhances the sense of stillness and contemplation that permeates the work. The diptych’s format itself invites comparison between the two floral displays, prompting reflection on themes of duality, opposition, and perhaps even a symbolic representation of contrasting emotions or ideas. The precision in rendering each flower suggests an interest not only in their aesthetic beauty but also in their botanical accuracy, hinting at a scientific or observational approach to artmaking.