Sir Henry Raeburn – Quentin McAdam
c.1815. 155×120
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist’s handling of light is noteworthy. The boys face is illuminated, drawing immediate attention to his expression – a mixture of seriousness and slight amusement. This focused lighting contrasts with the darker, indistinct background, which appears to be a wooded area shrouded in mist or twilight. The brushwork in the landscape is loose and suggestive rather than detailed, creating an effect of depth and atmosphere.
Subtleties within the portrait hint at social context. The boy’s clothing, while not overtly opulent, indicates a comfortable economic standing. His relaxed pose and the inclusion of accessories like the hat and walking stick suggest he is accustomed to outdoor pursuits and perhaps a certain level of privilege. The gaze directed towards the viewer establishes a connection, inviting an assessment of character or status.
The overall effect is one of understated elegance and youthful vitality. It’s not merely a depiction of a child; its a carefully constructed representation that conveys aspects of identity, social position, and personal demeanor within a specific historical context. The ambiguity of the landscape allows for multiple interpretations – perhaps suggesting a connection to nature or hinting at an expansive future.