Dieric Bouts – St. Bernard, left hand panel from the Triptych of St. Erasmus
~1460. oil on panel
Location: St. Peter’s, Louvain.
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The landscape behind him appears somewhat idealized, featuring rolling hills and distant mountains rendered in muted greens and blues. The terrain is rocky near the figure’s feet, transitioning to softer vegetation further away. A small, grotesque creature – a dog-like being with an agitated expression – is situated at his lower right, seemingly discarded or left behind.
The artists use of light contributes significantly to the painting’s effect. The figure is illuminated from the front, highlighting the texture of his garments and emphasizing his presence. Shadows are subtly employed to define form and create depth within the landscape. The overall palette leans towards somber tones – black, white, red, and earth hues – which lend a sense of solemnity and gravitas to the scene.
Subtexts embedded in this depiction appear to explore themes of spiritual authority, knowledge, and perhaps renunciation or rejection of worldly attachments. The crozier signifies power and leadership within the Church, while the book symbolizes learning and divine guidance. The discarded creature at his feet could be interpreted as a symbolic representation of earthly temptations or vices that have been overcome by the figure’s faith. His gaze suggests an awareness of both spiritual responsibility and the challenges inherent in upholding it. The landscape itself might represent the journey towards enlightenment, with the rocky foreground symbolizing obstacles encountered along the way.