Félix Édouard Vallotton – Nude standing in the water
1919. Oil on canvas, 61×48cm.
Location: Private Collection
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The setting is ambiguous; it’s not immediately clear whether this is an ocean, lake, or even a stylized pool. The water itself is rendered in muted greens and blues, creating a sense of depth while simultaneously flattening the perspective. A dark, indistinct shape rises from the water on the right side of the canvas, its purpose unclear – perhaps a rock formation, a distant structure, or simply an element to anchor the composition.
Above the figure, several birds are depicted in flight, their forms simplified and rendered with minimal detail. They contribute to a feeling of openness and freedom within the scene. The background is dominated by a dark purple hue, which serves to isolate the figure and intensify her presence.
The subtexts embedded within this work seem to revolve around themes of solitude, introspection, and connection with nature. The woman’s posture suggests contemplation; she appears lost in thought, seemingly unaware or indifferent to the viewers gaze. Her nudity could be interpreted as a symbol of vulnerability, honesty, or an embrace of natural form. The birds might represent aspirations, escape, or a longing for something beyond her immediate surroundings.
The overall effect is one of quiet melancholy and understated beauty. The artist has created a space that feels both intimate and expansive, inviting the viewer to ponder the figure’s inner world and the broader implications of her presence within this liminal environment.