Félix Édouard Vallotton – La Risle Near Berville
1924. 73,5×100cm. Oil On Canvas.
Location: Private Collection
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Two substantial trees, rendered with dense, textured brushwork, flank the rivers course. Their reflections are nearly perfect duplicates, contributing to the overall feeling of stillness and quietude. The foliage surrounding the waterway appears lush and verdant, though a muted palette suggests an overcast day or perhaps late afternoon light. In the distance, a range of hills recedes into a hazy atmosphere, diminishing in clarity and color intensity as they approach the horizon line.
Several figures are discernible on the left bank, seemingly engaged in agricultural labor – haymaking, judging by the scattered bales. Their small scale emphasizes the vastness of the landscape and their relative insignificance within it. The sky is characterized by a heavy cloud cover, punctuated by patches of brighter light that suggest an impending shift in weather conditions.
The painting’s subtexts revolve around themes of natures power and humanitys place within it. The mirroring effect suggests a duality – the visible world and its reflection, reality and perception. The subdued color scheme and overcast sky evoke a sense of melancholy or introspection, while the presence of human figures hints at an ongoing relationship between people and the land. There is a deliberate avoidance of dramatic action; instead, the focus remains on the quiet observation of a natural scene, inviting contemplation rather than demanding immediate engagement. The overall impression is one of peacefulness tinged with a subtle undercurrent of melancholy, characteristic of landscapes that emphasize the passage of time and the enduring presence of nature.