Félix Édouard Vallotton – Young Woman Putting On Lipstick
1925.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman herself occupies the right portion of the frame. She is draped in a dark garment, partially concealed by a blue headscarf that falls around her shoulders and frames her face. Her gaze is directed towards her reflection, though it seems somewhat detached, lacking direct engagement. The application of lipstick is rendered with meticulous detail; the artist captured the precise movement of her hand and the subtle pressure exerted on her lips.
Several objects are scattered across a dark surface that serves as both dressing table and foreground plane. These include small containers, what appears to be a powder puff in a glass jar, and other cosmetic paraphernalia. The arrangement suggests an intimate, private moment, yet the formality of the mirror’s design and the womans attire introduce a layer of complexity.
The color palette is restrained, primarily consisting of dark browns, blues, and muted tones, with the coral reflections providing a striking contrast. This limited range contributes to a somber atmosphere, while also drawing attention to the small details within the scene.
Subtleties in the painting suggest a commentary on femininity and self-presentation. The woman’s detached expression and the somewhat theatrical setting imply a performance of identity – a careful construction of appearance for an external audience. The ornate mirror itself can be interpreted as a symbol of vanity or societal expectations placed upon women regarding beauty and adornment. The overall effect is one of quiet introspection, hinting at the complexities and potential anxieties inherent in the rituals of self-care and the pursuit of idealized appearances.