Félix Édouard Vallotton – Bouquet Of Marigolds And Violets
1912. Oil on canvas, 33×41cm.
Location: Private Collection
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a stark white surface acting as the primary ground for the arrangement. This surface is not rendered with meticulous detail; instead, it appears to be a simple ledge or shelf, marked by subtle variations in tone and texture that suggest an unevenness. The background is dark, almost black, which serves to isolate the bouquet and intensify its luminosity.
The artist has employed a loose, expressive brushstroke throughout the work. This technique lends a sense of immediacy and spontaneity to the scene, avoiding precise outlines and instead relying on tonal variations to define form. Light falls upon the arrangement from an unseen source, creating highlights on the porcelain and illuminating the petals of the flowers. The way light interacts with the white surface suggests a cool, diffused illumination.
Beyond the straightforward depiction of floral elements, the painting evokes a quiet contemplation. The simplicity of the composition – the limited number of objects, the restrained color scheme – suggests an emphasis on introspection rather than ostentatious display. The juxtaposition of the bright marigolds and the somber violets might be interpreted as representing contrasting emotions or aspects of experience; joy alongside melancholy, perhaps.
The rough handling of the porcelain vessel introduces a note of imperfection, hinting at the transient nature of beauty and the inevitability of decay. It is not an idealized representation but rather a candid observation of everyday objects imbued with a subtle emotional resonance. The signature in the lower right corner anchors the work within a specific time frame while simultaneously acknowledging the artists presence and perspective.