Félix Édouard Vallotton – The Red Ball (Corner of the Park)
1899. 49.5 x 61.5 cm, oil on cardboard on wood
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A solitary figure, a child wearing a light-colored garment and a straw hat, is positioned near the foregrounds edge. The child’s posture – leaning forward slightly, head tilted upward – implies observation or engagement with something beyond the immediate view. A small red sphere rests on the sandy ground nearby, drawing the eye and acting as a focal point within the otherwise muted palette.
In the distance, partially obscured by the foliage, two figures are visible; their forms are indistinct, suggesting a sense of detachment or anonymity. The limited detail in these distant figures contributes to an overall feeling of solitude and introspection.
The color scheme is restrained, relying on variations of green, blue, brown, and beige. This subdued palette reinforces the quiet, contemplative mood of the scene. The use of loose brushstrokes creates a sense of atmosphere and immediacy, avoiding precise detail in favor of capturing a fleeting moment.
Subtly, the painting explores themes of childhood, observation, and isolation. The child’s posture suggests curiosity and wonder, while the distant figures hint at the broader social context from which they are separated. The red ball introduces an element of vibrancy and potential energy into the otherwise tranquil setting, perhaps symbolizing innocence or a lost connection to playfulness. The compositions diagonal arrangement creates a dynamic tension between the foreground and background, further emphasizing the child’s position as both observer and participant in this quiet corner of the park.