Félix Édouard Vallotton – Landscape near Semur
1923. Oil on canvas, 73×61cm.
Location: Private Collection
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The river or lake occupies a significant portion of the canvas, its surface rendered with subtle horizontal brushstrokes that suggest gentle ripples reflecting the overcast sky above. The water’s edge is lined with tall grasses in shades of yellow and green, adding textural complexity to the foreground. A path leads from the lower left corner towards the settlement, drawing the viewers eye into the scene.
The town itself is depicted as a cluster of buildings with pitched roofs, arranged on an ascending slope. The architecture appears modest and functional, suggesting a rural or provincial setting. A solitary figure, presumably human, can be discerned walking along a path leading towards the settlement; their small size emphasizes the vastness of the landscape.
The color palette is restrained, primarily consisting of greens, browns, grays, and muted yellows. This limited range contributes to a somber and contemplative mood. The artist’s use of simplified forms and flattened perspective creates a sense of distance and abstraction, moving beyond a purely representational depiction of reality.
Subtly, the painting evokes themes of human presence within nature, highlighting both the harmony and the potential for isolation inherent in such a relationship. The imposing rock formation could be interpreted as symbolizing the enduring power of natural forces, while the small figure suggests humanity’s relative insignificance against this backdrop. Theres an underlying sense of quietude and introspection; the scene feels observed rather than actively engaged with, fostering a feeling of detached contemplation within the viewer.