Félix Édouard Vallotton – The Sunny Street
1922. Oil On Canvas. 65×54cm.
Location: Private Collection
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The street itself is paved with uneven stones, their color a darker hue than the walls, creating a visual pathway that draws the eye deeper into the scene. The light source appears to be positioned above and slightly behind the viewer, casting long shadows and highlighting the rough texture of the surfaces. This illumination creates a stark contrast between areas in shadow and those bathed in sunlight, contributing to the painting’s overall mood.
At the far end of the street, vegetation – primarily flowering shrubs – emerges from the walls, offering a small burst of color against the predominantly earthy palette. These plants introduce an element of life and resilience into the otherwise desolate environment.
In the foreground, three animals are depicted: two dogs and a cat. The dogs appear to be moving along the street, their forms rendered with loose brushstrokes that convey a sense of energy and spontaneity. The cat is positioned closer to the viewer, its posture suggesting alertness or perhaps apprehension. Their presence injects a note of domesticity into the scene, hinting at human habitation despite the apparent abandonment.
The painting evokes a feeling of quiet solitude and introspection. The narrowness of the street, combined with the high walls, creates a sense of isolation. While the sunlight suggests warmth and vitality, the overall atmosphere is one of melancholy and stillness. One might interpret this as an exploration of themes such as memory, loss, or the passage of time. The depiction of the animals could be seen as symbolic representations of resilience and adaptation in a harsh environment, or simply as elements that humanize the scene. The rough texture of the walls and pavement suggests a history of hardship and endurance.