#24787 Josep Navarro Vives

The composition presents a densely packed urban landscape rendered in a style characterized by angularity and flattened perspective. Here we see a multitude of buildings stacked upon one another, creating a sense of overwhelming verticality. The structures are not depicted with realistic detail; instead, they appear as simplified geometric forms – primarily rectangular blocks – defined by thick, dark outlines.
The color palette is dominated by warm tones: ochres, oranges, and browns, punctuated by occasional patches of green and muted blues. These colors contribute to a feeling of confinement and perhaps even oppressive heat. The application of paint appears somewhat rough and textured, adding to the overall sense of immediacy and rawness. Light sources are suggested within some of the buildings – glowing windows that emit an amber hue – but these offer little in the way of illumination; they merely accentuate the darkness surrounding them.
The absence of any discernible sky or horizon line further intensifies the feeling of enclosure, suggesting a world entirely consumed by built environment. The lack of human figures reinforces this sense of isolation and anonymity within the urban sprawl.
Subtextually, the painting seems to explore themes of urbanization, alienation, and the potential dehumanizing effects of modern city life. The repetitive nature of the buildings could be interpreted as symbolizing conformity or a loss of individuality. The dark outlines and limited color range evoke a mood of melancholy and perhaps even anxiety. It is possible that the artist intended to convey a critique of urban development and its impact on human experience, presenting a vision of a world where architecture has become both shelter and prison.