#47302 Alexandre De Riquer e Ynglada (1856-1920)

The composition presents a striking juxtaposition of portraiture and textual elements within a rectangular frame. A central figure dominates the left portion of the artwork; she is depicted as a woman with dark hair styled in elaborate curls, her gaze directed towards a radiant light source emanating from behind her. She holds aloft a lantern or torch, its glow illuminating her face and casting dramatic shadows. The background behind her consists of stylized foliage rendered in warm tones of yellow and orange, suggesting an otherworldly or symbolic setting.
To the right of the portrait, a block of text is presented, accompanied by a title: El Sueño de las Galveras al Conde de Lemos Presidente d Indias. Beneath this title, a poem appears, written in a formal script. Further to the right, a small illustration depicts what seems to be a sailing vessel on water.
The lower portion of the image is occupied by a band of poppies, their vibrant red petals contrasting with the darker background and adding a touch of naturalism to the otherwise stylized scene. A horizontal bar at the bottom contains text identifying the publications year and place of origin: Barcelona, January 3rd, 1898.
The subtexts within this artwork appear layered and potentially allusive. The woman’s posture and gaze suggest a figure of enlightenment or revelation, perhaps embodying ideals of truth or knowledge. Her holding the light source implies guidance or illumination in a metaphorical sense. The poems presence suggests an association with literary or historical narratives, likely connected to the title referencing The Dream of the Galveras and the Conde de Lemos, President of Indias. This connection hints at colonial themes and possibly critiques of power structures.
The poppies, often associated with remembrance and sleep, introduce a melancholic undertone, potentially alluding to loss or forgotten histories. The sailing vessel could symbolize exploration, trade, or perhaps even displacement – further reinforcing the colonial context suggested by the title. Overall, the artwork seems designed to convey a complex message blending portraiture, literature, and symbolic imagery, likely intended for an educated audience familiar with Spanish history and literary traditions.