#47279 Alexandre De Riquer e Ynglada (1856-1920)

Here we see an ex-libris design, a small decorative marker indicating ownership of a book. The composition is dominated by a circular motif, suggesting wholeness or completion, and framed by stylized foliage rendered in a vibrant orange hue. This color choice immediately draws the eye and lends a sense of warmth and perhaps even intensity to the piece.
Within this central circle, a figure is depicted – seemingly male, based on the hairstyle – seated and engaged with what appears to be a stringed instrument, possibly a lute or harp. The posture suggests introspection and creative activity; he seems absorbed in his music. This placement within the circular frame implies that creativity and artistic expression are at the core of the books owner’s identity or interests.
The surrounding foliage isnt merely decorative; it feels almost protective, enveloping the figure and suggesting a nurturing environment for art and intellect. The stylized nature of the leaves hints at an idealized representation of nature, rather than a strictly realistic one. This stylization aligns with a potential aesthetic leaning towards Art Nouveau or similar movements that prioritize ornamentation and flowing lines.
The text EX LIBRIS is prominently displayed, establishing the purpose of the design. Further textual elements – “AR-SOLONGA” and “Johmas…BREVIS” – are integrated into the foliage’s curves, adding to the decorative complexity and suggesting a personalized inscription or dedication. The signature A di Rienzi 1903 at the bottom confirms the artist and date of creation.
The overall impression is one of refined elegance and intellectual pursuit. It conveys a sense of ownership not merely of a book, but of a space for creativity, learning, and artistic appreciation. The design’s circular form and enveloping foliage suggest a desire to safeguard and celebrate these values.