La Cuisine des Anges. Detail Bartolome Esteban Murillo (1618-1682)
Bartolome Esteban Murillo – La Cuisine des Anges. Detail
Edit attribution
Download full size: 540×719 px (0,0 Mb)
Painter: Bartolome Esteban Murillo
Album navigation:
Edit attribution
Download full size: 540×719 px (0,0 Mb)
Painter: Bartolome Esteban Murillo
COMMENTS: 1 Ответы
CONQUERING DEATH
My energy boils,
But I dont know for what purpose.
They carry the coffin out of the morgue.
The faces
Of those standing around are gray.
Its hard to believe in a spiritual realm,
Hard to believe that death is a boundary.
Life is like overcoming that
Terrifying, spherical abyss.
My energy boils,
I realize why –
So that even the simplest lines might outlive my mortal remains, so that
Not everything is carried away, like a boat, by the coffin.
The fear of death is earthly, its local.
Only death itself can alleviate it,
It cannot be endured.
Again, they carry the coffin out of the house.
And the poplars are rusted.
The autumn earth is sad,
And everything is familiar. So familiar.
Death is a sign. The code remains unread.
It sets the wisest limit
For forests and fields as well,
As Baratynsky asserted.
I repeat: death is not the end at all.
So why this chill on my skin?
And yet, my energy boils,
And the lines will sparkle with life.
I write – and I am no longer afraid
Of the days that flash by towards death.
You cannot comment Why?
A dominant feature is the intense luminosity emanating from behind and around the man’s head, creating a halo-like effect that subtly elevates his status without explicitly portraying him as divine. This golden glow contrasts sharply with the darker tones of his face and clothing, drawing immediate attention to his expression and posture. The artist employed a technique of chiaroscuro – a dramatic interplay of light and shadow – to sculpt the man’s features, emphasizing the lines around his eyes and mouth, which convey a sense of both weariness and profound spiritual yearning.
The rendering of the face is marked by realism; one observes signs of age and hardship etched into the skin – wrinkles, subtle discoloration, and an overall texture that speaks to a life lived with intensity. The hair appears unkempt, further contributing to the impression of austerity and detachment from worldly concerns. His lips are slightly parted, as if in silent supplication or perhaps on the verge of uttering a profound thought.
The background is largely indistinct, rendered in warm, muted tones that serve to isolate the figure and intensify his emotional state. The lack of specific contextual details encourages viewers to focus solely on the man’s internal experience – his relationship with something unseen, whether it be divine grace or an overwhelming sense of suffering.
Subtly, there is a vulnerability present in the posture; the clasped hands are not held defensively but rather as if seeking solace or connection. The upward gaze suggests aspiration and hope, yet the shadowed features hint at underlying anxieties or burdens. Overall, the work conveys a powerful sense of spiritual struggle and introspection, inviting contemplation on themes of faith, suffering, and the search for meaning.