GCGEPU-048 1944 Latin from Manhattan Gil Elvgren (1914-1980)

The artwork presents a female figure in a theatrical pose against a backdrop of deep red and orange hues. She is depicted mid-motion, seemingly engaged in a dance or performance. Her posture suggests a playful energy; one leg is bent at the knee, while the other extends outward, contributing to a sense of dynamism. In her hands, she holds maracas, further reinforcing the impression of rhythmic movement and entertainment.
The woman’s attire is noteworthy. She wears what appears to be a stylized costume – a dark bodice with white trim, a layered skirt that hints at flamenco or similar dance traditions, and stockings. The combination of these elements evokes an image of exoticism and allure. Her hair, styled in waves, frames her face, which displays a confident expression.
The artist employed a limited color palette dominated by warm tones – reds, oranges, and browns – which contribute to the overall atmosphere of vibrancy and theatricality. The lighting is dramatic, highlighting the figure while casting shadows that add depth and dimension to the composition.
A textual element appears in the lower right corner: LATIN FROM MANHATTAN. This inscription suggests a connection between the depicted scene and a specific location – Manhattan – and implies a cultural association with Latin American music or dance. The phrase could be interpreted as an advertisement for a venue, performance, or perhaps even a person embodying this particular style of entertainment.
Subtly, the work seems to engage with themes of wartime escapism and the desire for exotic experiences during a period of global conflict. The depiction of a vibrant, sensual performer offers a momentary respite from the anxieties of the era. It also speaks to the cultural exchange and fascination with Latin American culture that was prevalent in the United States at the time.