часть 2 -- European art Европейская живопись – Harold Harvey Marbles 98660 20
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Three of the boys are positioned near the fence. Two stand leaning against it, their postures relaxed yet observant. Their clothing – dark jackets, caps, and sturdy boots – indicates a working-class background. The third boy is crouched down, intently focused on something at his feet; scattered objects, likely marbles, lie around him. A fourth boy stands further along the path, angled towards the group, seemingly participating in the game or observing from a slight distance.
The artist’s brushwork is loose and expressive, particularly evident in the rendering of the sky and foliage. The application of paint creates a sense of immediacy and captures the fleeting quality of childhood play. Color is used sparingly; earth tones dominate, punctuated by the vibrant red of one boys garment, which draws immediate attention.
Beyond the boys, the landscape recedes into a hazy distance. A line of trees marks the horizon, with indistinct structures – possibly industrial or navigational – visible in the middle ground. These elements suggest a location that is both rural and touched by modernity.
The painting evokes themes of childhood innocence, leisure, and social class. The boys’ simple attire and surroundings imply a life lived close to the land, while their game suggests an uncomplicated joy found in shared activity. The presence of industrial structures on the horizon hints at the encroaching influence of progress upon this pastoral scene. There is a quiet dignity in the depiction of these children; they are not idealized but presented with a sense of realism and empathy. The overall impression is one of gentle nostalgia, capturing a moment of everyday life that feels both familiar and distant.