Sir Edward Burne-Jones – The Wizard
1898
Location: Museums and Art Gallery, Birmingham.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman stands closer to the viewer, her posture more open and direct than that of the man. She wears a similarly draped garment, though its color scheme is slightly lighter, offering a subtle contrast. Her expression is difficult to decipher; it could be interpreted as apprehension, curiosity, or perhaps even resignation. The pale complexion of her face and hair further emphasize her vulnerability within this setting.
The environment itself is rich in detail. Shelves overflow with books, scrolls, and various containers – some holding liquids, others seemingly containing dried herbs or other materials. These objects suggest a space dedicated to study, experimentation, and perhaps even alchemy or magic. The lighting is uneven; a strong source of illumination emanates from an unseen point behind the figures, casting dramatic shadows and highlighting certain elements while leaving others in obscurity. This selective illumination contributes significantly to the overall atmosphere of secrecy and intrigue.
The architectural setting – the wooden paneling, the receding perspective of the chamber – creates a sense of depth and enclosure. The verticality of the composition is emphasized by the tall shelves and the figures’ elongated forms, drawing the eye upwards towards an unseen ceiling. A heavy curtain hangs to one side, partially concealing what might be another room or passage, further reinforcing the feeling of isolation and hidden knowledge.
Subtextually, the painting seems to explore themes of power, knowledge, and perhaps even manipulation. The mans obscured face and shrouded attire suggest a figure operating outside conventional societal norms, possessing secrets that are not readily shared. The woman’s presence introduces an element of uncertainty – is she a willing participant in his endeavors, or is she being led along a path she does not fully understand? The abundance of arcane objects suggests the pursuit of forbidden knowledge and the potential for both great benefit and profound danger. Ultimately, the work evokes a sense of quiet drama, inviting speculation about the relationship between these two figures and the nature of the man’s mysterious vocation.