Lilla Cabot Perry – japan 1900
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed an impasto technique, evident in the thick application of paint that creates textural depth across the surface. This approach lends a tactile quality to both the vegetation and the stone objects, suggesting their materiality. The color palette is largely composed of greens – ranging from deep emeralds to lighter, almost yellow-tinged hues – interspersed with browns, grays, and touches of orange and red that emerge in patches amongst the foliage.
Light filters through the canopy above, creating a dappled effect on the ground and illuminating certain areas more intensely than others. This uneven lighting contributes to an atmosphere of tranquility and mystery, obscuring details within the deeper recesses of the scene. The background is less defined, fading into a hazy luminescence that suggests distance and reinforces the sense of enclosure.
Beyond the immediate visual elements, the painting evokes a feeling of contemplative stillness. The arrangement of lanterns – often associated with guiding spirits or marking paths in Japanese gardens – implies a deliberate design intended to foster reflection and serenity. The dense vegetation could be interpreted as symbolizing nature’s enduring presence and its capacity to both conceal and reveal. Theres an underlying sense of the passage of time, suggested by the weathered appearance of the stone lanterns and the pervasive feeling of quietude. The work seems less concerned with a literal depiction of a place and more focused on conveying a mood – one of peaceful introspection within a carefully ordered natural setting.