Part 5 Prado Museum – Poussin, Nicolas -- El Parnaso
1630 1631, 145 cm x 197 cm, Lienzo, Óleo. Nicolas Poussin
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has employed a clear sense of order and symmetry. Figures are grouped according to attributes – some appear to be musicians, identifiable by their instruments (lyres, pipes), while others hold scrolls or laurel wreaths, suggesting roles as poets or scholars. The color palette is rich and warm, dominated by ochre, gold, and deep blues, contributing to a sense of grandeur and solemnity. Light falls unevenly across the scene, highlighting certain figures and creating areas of shadow that add depth and complexity.
Above the assembled group, several putti (cherubic figures) are visible in the sky, scattering flowers or playing musical instruments. Their presence introduces an element of divine blessing or celestial approval to the gathering below. The landscape itself is idealized; trees are precisely rendered, their foliage dense and verdant, while the background features a distant, hazy horizon line that suggests vastness and timelessness.
Subtleties within the scene hint at deeper meanings. The presence of musical instruments and poetic symbols implies an emphasis on artistic creation and intellectual pursuit. The reclining figure’s vulnerability, contrasted with the reverence shown by those around her, could be interpreted as a representation of inspiration or the muse. The arrangement of figures suggests a structured society where artists and intellectuals are held in high esteem. The overall effect is one of idealized beauty, harmony, and the celebration of artistic achievement within a classical framework.