Part 5 Prado Museum – Murillo, Bartolomé Esteban -- La Inmaculada Concepción de los Venerables, o de Soult
1678, 274 cm x 190 cm, Lienzo, Óleo. Bartolomé Esteban Murillo
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 2 Ответы
Гений! Гений наравне с Веласкесом и другими испанскими друзьями!
А Какие ангелочки!
Нет слов!
Как зачатие может быть непорочным? Просто она не от мужа родила а от римского легионера пока муж был на работе.
Копилов Олександр Генадійович
Член національної Спілки художників України (живопис, графіка) посвідчення №6203
You cannot comment Why?
Surrounding her are numerous cherubic figures, arranged both above and below. These small beings appear to be showering her with flowers or garlands, their expressions ranging from adoration to playful delight. The placement of these angels creates a sense of celestial celebration and reinforces the sanctity of the central figure. Their presence contributes significantly to the overall feeling of ethereal grace and divine blessing.
The background is rendered in soft, diffused tones, primarily golds and yellows that contribute to the impression of radiant light emanating from the woman herself. This luminosity obscures any clear spatial depth, further emphasizing her separation from the earthly realm. The darkness at the edges of the canvas serves to isolate the scene, drawing the viewer’s attention solely to the central figure and her celestial entourage.
Subtly embedded within this imagery are layers of meaning. The immaculate nature of the womans attire and the surrounding atmosphere suggest a state of spiritual purity and freedom from sin. The cherubic figures, traditionally associated with divine messengers and heavenly hosts, underscore her elevated status. The act of showering her with flowers can be interpreted as symbolic offerings or expressions of reverence. Overall, the painting conveys a powerful message of grace, sanctity, and divine favor, likely intended to inspire devotion and contemplation within its audience.