Elizabeth Southerden Thompson – The Retreat from Mons
1927. oil on canvas
Location: Royal Hospital Chelsea, London, UK
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The artist has rendered the horses with considerable attention to detail; they appear exhausted, their heads lowered, mirroring the apparent fatigue of their riders. The terrain beneath them is uneven and strewn with debris – scattered equipment, broken wheels, and other remnants of conflict – suggesting a hasty retreat or withdrawal from an engagement.
The color palette leans towards muted earth tones – browns, ochres, and grays – which contribute to the overall somber mood. A pale sky, streaked with clouds, provides a backdrop that lacks any sense of optimism or hope. The light is diffused, casting long shadows and flattening perspective, further emphasizing the feeling of exhaustion and disorientation.
The arrangement of figures creates a visual rhythm, but it also reinforces the impression of a disorganized group. Theres no clear leadership visible; individuals appear lost in their own thoughts, seemingly disconnected from one another. The lack of interaction between them amplifies this sense of isolation and despair.
Subtly, the painting conveys more than just a depiction of movement. It speaks to the psychological toll of war – the exhaustion, the loss of morale, and the uncertainty that accompany retreat. The discarded equipment scattered on the ground serves as a poignant reminder of what has been lost or abandoned in the process. The absence of any visible enemy underscores the focus not on combat itself, but on its aftermath – the burden carried by those left to endure it. It is an image less about victory and more about survival, resilience, and the quiet dignity of soldiers facing adversity.