Joachim Wtewael – Judith with the Head of Holofernes
1595-00. 110x80
Location: Princeton University Art Museum, Princeton.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman’s attire is opulent; a richly textured gown in shades of pink and gold drapes across her form, emphasizing both her status and the gravity of the situation. A jeweled belt accentuates her waist, adding to the sense of luxury. In her right hand, she holds aloft a sword, its hilt adorned with what appears to be a tassel or decorative element. The blade itself is partially obscured by the severed head lying at her feet.
The detached head, positioned in the lower right quadrant, is rendered with stark realism. Its features are clearly defined, and the wound from which it has been separated is visible, though not overly graphic. A young attendant, barely discernible in shadow to the woman’s right, observes the scene with an expression that seems a blend of apprehension and loyalty.
The background is largely obscured by deep shadows, but hints of draped fabric suggest a luxurious setting – possibly a tent or royal chamber. The lighting is dramatic, focused primarily on the central figure and the head at her feet, leaving much of the surrounding space in darkness. This contrast enhances the emotional intensity of the moment.
Subtleties within the painting invite deeper consideration. The upward gaze of the woman might signify divine sanction for her actions or a plea for absolution. Her posture suggests not just physical strength but also an inner turmoil, hinting at the psychological cost of violence even when undertaken in service of a perceived higher purpose. The presence of the attendant underscores themes of duty and complicity, while the opulent setting serves to contextualize the act within a framework of power and political intrigue. The overall effect is one of restrained drama, emphasizing not just the deed itself but also its moral and spiritual implications.