Bruno Liljefors – Eider Ducks
1894.
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The surface of the water is not depicted as smooth or reflective; instead, it appears turbulent, marked by visible brushstrokes that suggest movement and depth. This textural complexity prevents the scene from becoming static, imbuing it with a subtle dynamism. The ducks themselves are portrayed in varying degrees of detail – some appear more clearly defined than others – suggesting a deliberate ambiguity regarding their individual identities within the group. They seem to be engaged in foraging or simply drifting on the waters surface.
Above the waterline, the sky is rendered as a diffuse wash of color, transitioning from pale pink and grey near the horizon to a slightly darker hue overhead. There’s no distinct delineation between the sky and the distant landmass that appears as a dark horizontal band along the upper edge of the painting. This lack of clarity further emphasizes the vastness and isolation of the setting.
The composition evokes feelings of solitude, resilience, and perhaps even vulnerability. The ducks, seemingly oblivious to any external threat, represent a small pocket of life within an expansive and potentially harsh environment. The subdued color scheme and rough brushwork contribute to a mood of introspection, inviting contemplation on themes of survival, community, and the enduring power of nature. The painting’s simplicity lends itself to multiple interpretations; it could be read as a straightforward depiction of wildlife or as a symbolic representation of human existence within a larger, indifferent universe.