building the ice house 1912 Lawren Harris (1885-1970)

The composition presents a scene of industrial labor, specifically focused on the construction of what appears to be a large ice structure. The artist has chosen a perspective that emphasizes the scale and complexity of the undertaking. A substantial wooden framework dominates the visual field, constructed from thick beams arranged in a seemingly haphazard yet functional manner. These timbers are rendered with a palette primarily composed of blues, oranges, and yellows, creating a vibrant contrast against the pale background.
The application of paint is characterized by short, choppy brushstrokes, lending a textural quality to the wood and suggesting movement within the construction process. The light source seems diffuse, casting soft shadows that flatten the forms somewhat and contribute to an overall sense of solidity. A layer of snow or ice appears at the base of the structure, indicated by horizontal bands of white and grey paint.
Several figures are present within the scene, though they are small in scale relative to the framework. One individual is visible near the top of the construction, seemingly overseeing the work. Another figure stands closer to the viewer, partially obscured by the wooden beams, their posture suggesting observation or perhaps participation in the labor. The limited detail afforded these figures reinforces the focus on the structure itself and the collective effort involved in its creation.
Beyond a straightforward depiction of industrial activity, the painting hints at themes of human endeavor against the forces of nature – the construction of an ice house implies a deliberate manipulation of a transient element. The color choices, while seemingly bright, also evoke a sense of coldness and austerity, perhaps reflecting the harsh conditions inherent in such work. The fragmented perspective and angular forms contribute to a feeling of dynamism and instability, suggesting that the process of building is as significant as the finished product. There’s an underlying tension between the man-made structure and its environment, prompting reflection on humanitys relationship with both labor and the natural world.