Sir Christopher Wren and Hugh Howard Sir Godfrey Kneller (1646-1723)

The engraving presents a formal portrait composition centered around a man of considerable stature and apparent authority. He is depicted from the chest upwards, positioned slightly off-center within an oval frame that emphasizes his presence. The artist has rendered him with meticulous detail, capturing the texture of his elaborate, cascading wig – a significant marker of status in this period. His expression is one of quiet contemplation; the gaze directed towards the viewer conveys intelligence and perhaps a touch of reserved dignity.
A younger man appears within a circular vignette superimposed on the larger portrait. He is shown in profile, holding what seems to be architectural plans or drawings rolled up in his hand. This smaller figure’s inclusion suggests a relationship – likely professional – with the central subject. The placement and scale imply a mentorship or apprenticeship dynamic; the younger mans presence serves to contextualize the older gentleman’s expertise.
Beneath the portrait, inscriptions identify both individuals and credit the engraver (A Bannerman) and the printmaker (J G Kneller pinx.). The inclusion of these credits reinforces the image’s function as a formal record – a testament to the subjects importance and the skill of those who produced it.
The lower right corner features a small, detailed rendering of an architectural structure, likely a building or monument. This element subtly alludes to the central figure’s profession, hinting at his involvement in design and construction. The overall effect is one of controlled formality, designed to convey respect and underscore the subjects position within a hierarchical society. The engraving functions not merely as a likeness but also as an assertion of status and professional identity.