Charles Fitzroy, Duke of Grafton Sir Godfrey Kneller (1646-1723)

The engraving presents a gentleman in three-quarter profile, positioned slightly left of center. He is depicted wearing a complex turban-like head covering, intricately rendered with numerous folds and embellishments that suggest both wealth and a certain exoticism. The fabric appears substantial, possibly velvet or silk, and its texture is carefully conveyed through the engraver’s meticulous lines.
The gentlemans attire consists of a jacket with elaborate button detailing and a high-necked shirt, also rendered with considerable attention to detail in terms of fabric folds and light play. His left hand rests on what appears to be a decorative belt or sash, while his right hand is partially obscured by the jacket’s sleeve. The posture conveys an air of relaxed confidence; he leans slightly forward, suggesting approachability but maintaining a dignified bearing.
The background is plain, allowing for complete focus on the subject. Below the image, a coat of arms and inscription identify him as Charles Fitzroy, Duke of Grafton. This textual element firmly establishes his aristocratic status.
Several subtexts emerge from this portrayal. The turban, an unusual accessory in European portraiture of the period, hints at travel or association with foreign cultures – perhaps indicating diplomatic missions or a cultivated interest in the Orient. It could also be interpreted as a fashion statement, signifying a desire to appear modern and worldly. The overall impression is one of refinement and privilege, but also a subtle suggestion of unconventionality. The engravers skill lies not only in capturing likeness but also in conveying a sense of personality and social standing through the careful rendering of costume and posture.