Laurence Hyde, 1st Earl of Rochester Sir Godfrey Kneller (1646-1723)

Here we observe a portrait rendered in monochrome engraving, presenting a gentleman within an oval frame bordered by a decorative geometric pattern. The subject is depicted from the chest upwards, facing slightly towards the viewers left. His expression is one of measured composure; his gaze directed forward with a hint of seriousness.
The man’s hair is styled in voluminous, cascading curls characteristic of late 17th and early 18th-century fashion. A meticulously rendered wig suggests status and adherence to contemporary ideals of male beauty. He wears an elaborate coat adorned with multiple rows of decorative medals or insignia across the chest, signifying his position within a hierarchical system – likely nobility or high office. The detail in these emblems indicates their importance as markers of rank and achievement.
The engraving’s tonal range is limited but skillfully employed to create depth and texture. Light falls predominantly from the left, highlighting the contours of his face and the folds of his clothing while leaving portions of the wig and background in shadow. This contrast enhances the sense of three-dimensionality. The artist has paid particular attention to rendering the fine lines around the eyes and mouth, contributing to a perception of age and experience.
The inscription at the top identifies the work as an engraving for His Majesties Edition of Heads, suggesting it was part of a series documenting prominent figures of the time. Further inscriptions below indicate ownership within a collection belonging to another nobleman, which subtly reinforces the subject’s elevated social standing and the value placed upon such portraits as symbols of prestige.
The overall effect is one of dignified formality, intended to convey authority and respectability. The portrait serves not merely as a likeness but also as a visual statement about the sitters place within the political and social landscape of his era.