Queen Mary II (1662-1694), from “Illustrations of English and Scottish History” Volume II Sir Godfrey Kneller (1646-1723)

Here we see a full-length portrait of a woman in regal attire, rendered in a style characteristic of late 17th or early 18th century engraving. The subject is positioned centrally and slightly angled towards the viewer, conveying an impression of accessibility while maintaining a dignified posture. Her gaze is directed forward, suggesting authority and composure.
The artist has meticulously detailed her elaborate dress. It features a complex arrangement of fabrics, including what appears to be velvet or similar heavy material, accented with intricate embroidery and possibly lace at the neckline. The sleeves are voluminous and ornamented, indicative of wealth and status. A crown rests upon her head, further solidifying her position as someone of high rank. A scepter is held in her left hand, a traditional symbol of royal power and dominion.
The background is filled with an ornate pattern, likely intended to emphasize the subject’s grandeur and elevate her above the mundane. The decorative border frames the figure, reinforcing the sense of importance and containment within a defined space of authority.
Subtly, the engravings monochrome palette contributes to a formal and somewhat austere atmosphere. This lack of color may be intentional, emphasizing the seriousness of the subject’s role and aligning with conventions for official portraits intended to project an image of stability and tradition. The precision of the lines suggests a desire for accuracy and permanence, reinforcing the idea that this is not merely a likeness but a representation of power and legacy.

The inscription at the bottom identifies her as Mary II, providing context for understanding her role within a historical narrative.