John Locke Sir Godfrey Kneller (1646-1723)

The engraving presents a bust-length portrait of a man facing slightly towards the left. The artist has rendered him with meticulous detail using a technique that emphasizes tonal variation through closely spaced lines and shading. Here we see a gentleman of apparent middle age; his hair is receding, neatly trimmed, and graying at the temples. His expression is serious, almost contemplative, with a slight furrow in his brow suggesting intellectual engagement.
The man wears a dark, heavy cloak or robe that drapes over his shoulders, its folds carefully delineated to create a sense of volume and texture. The fabric appears substantial, hinting at status and perhaps scholarly pursuits. A high collar frames his face, drawing attention to the planes of his countenance.
The background is largely undifferentiated, fading into a dark gray tone that isolates the figure and directs focus onto his features. This simplicity reinforces the impression of solemnity and gravitas. The lighting appears to originate from above and slightly to the right, casting subtle shadows that define the contours of his face and clothing.
Beneath the image, inscribed in elegant script, are identifying details – a reference to an original painting by Sir Peter Lely and the engraver’s name, Chapman, along with publication information. This textual element anchors the portrait within a specific historical context and acknowledges its derivation from another artwork.
Subtly, the composition conveys an aura of intellectual authority and quiet dignity. The mans direct gaze suggests introspection and perhaps invites scrutiny of his ideas. The overall effect is one of restrained formality, characteristic of portraits intended to commemorate individuals of significance within a learned or political sphere.