Jean Honore Fragonard – The Progress of Love: The Lover Crowned
1771-72. 317.8 x 243.2
Location: Frick Collection, New York.
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Two other men are present; one kneels on the left side, gazing up at the central pair with what seems like admiration or reverence. The third man is positioned on the right, absorbed in reading from a large book resting upon a pedestal. His posture and focused expression suggest an intellectual engagement distinct from the emotional display occurring nearby.
The garden itself is lush and abundant, overflowing with roses and verdant foliage. A sculpted bust atop a stone plinth sits slightly behind the central figures, adding a sense of classical refinement to the scene. The sky above is dramatic, filled with billowing clouds that create a dynamic backdrop. Light filters through this cloudy expanse, illuminating specific areas within the garden while leaving others in shadow, contributing to the overall atmospheric effect.
Subtleties within the painting hint at deeper meanings. The act of crowning could symbolize not only romantic love but also societal advancement or artistic achievement. The presence of the reader suggests a connection between intellectual pursuits and emotional experience; perhaps implying that understanding requires both reason and feeling. The contrast between the vibrant, blooming roses and the more somber tones of the sky might allude to the fleeting nature of beauty and happiness, juxtaposing joy with an underlying sense of melancholy or transience. The arrangement of figures – the crowned individual, the admirer, and the reader – suggests a narrative arc, potentially exploring themes of courtship, recognition, and contemplation.