Jean Honore Fragonard – Happy lovers
1760-65. 90х121
Location: Norton Simon museum of Art, Pasadena.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
Опять, от Буше не отличишь!
You cannot comment Why?
The painting is rich with subtexts that speak to themes of love, innocence, and freedom. The title itself, Happy Lovers, is a direct indication of the joyful romantic connection between the couple. The tender way they interact, the soft gaze between them, and the relaxed, intimate pose all convey deep affection and happiness.
The presence of the birds carries symbolic weight within the painting. The dove, held gently by the man, is a traditional symbol of peace, love, and fidelity, reinforcing the harmonious nature of their relationship. The birdcage in the womans hand, however, introduces a more complex layer of meaning. While it could represent the containment of love or possessiveness, in the context of the dove being held freely, it might also symbolize the potential for love to be both cherished and protected, or perhaps the desire to keep this happiness from flying away. Alternatively, in conjunction with the dove, it could represent the choice to love and be loved, with the possibility of freedom for the bird (and by extension, the lovers) existing within the context of their affection.
The garden setting itself contributes to the overall atmosphere. Its a cultivated and beautiful space, suggesting a private and protected world for the lovers, removed from the complexities of the outside world. The abundance of nature, with its flowers and greenery, symbolizes fertility, growth, and the natural blossoming of love. The overall impression is one of gentle romance, peaceful intimacy, and the sweet, ephemeral joy of young love.