At the Tea-Table Konstantin Alekseevich Korovin (1861-1939)
Konstantin Alekseevich Korovin – At the Tea-Table
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Painter: Konstantin Alekseevich Korovin
Location: Polenov Museum, Moscow (Музей Поленова).
The painting "At the Tea Table" is one of the key works of the "Zhukov" cycle. Such a title is not accidental. Korovin lived for a long time in the village of Zhukovka at the dacha of his close friends. It was there that he created many of his masterpieces. His art, without a doubt, should be attributed to the Russian impressionism. In many respects his style, the selection of color solutions and the construction of composition are similar to the manner of the brilliant artist from France Auguste Renoir. Like Renoir, the master spent a lot of time working with light and air.
Description of the painting "At the Tea Table" by Konstantin Korovin
The painting "At the Tea Table" is one of the key works of the "Zhukov" cycle. Such a title is not accidental. Korovin lived for a long time in the village of Zhukovka at the dacha of his close friends. It was there that he created many of his masterpieces. His art, without a doubt, should be attributed to the Russian impressionism. In many respects his style, the selection of color solutions and the construction of composition are similar to the manner of the brilliant artist from France Auguste Renoir.
Like Renoir, the master spent a lot of time working with light and air. His paintings are full of lightness and airiness. It is the landscape that plays a paramount role. People in the picture serve more as a complement. This is quite akin to the works of the famous Monet "At the tea table. Interestingly structured composition. It is shifted relative to the center to the left, which creates the impression of looking "from the first person". Korovin himself seems to have been sitting on the chair just a minute ago.
The plot of the painting reflects the ordinary suburban life of the hospitable landlords of the time. The characters are copied from real characters. These are Polenov’s family and his guests. Among them is Natalia, busy sewing. Her face is serene and tranquil. The poses of the others betray a certain uneasiness and the reigning tension.
Thanks to the use of a whole complex of techniques, the canvas looks dynamic. It reminds of a momentary glance at what is happening. The painting includes elements of portrait painting, the best landscape features, a well-read storyline. It is complex and multifaceted, despite its apparent simplicity.
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The painting depicts a group of four people gathered around a table on what appears to be a sunny veranda, possibly for a tea gathering. The scene is bathed in warm, golden light filtering through lush greenery in the background.
In the foreground, on the left, a woman with blonde hair tied back with a ribbon is seen in profile, her back to the viewer. She is wearing a light-colored garment and is holding a piece of bread. To her right sits a man in a naval uniform, complete with a white cap, looking towards the center of the table.
The centerpiece of the table is a large, ornate brass samovar, a traditional Russian teapot used for heating water. Beside it are several glasses, a pitcher with a floral design, and other tea-related items. Two women are seated across from the man. One, with dark hair, is focused on her needlework. The other, with her hair elegantly styled up, is looking towards her left, her hand resting near a plate of red berries, likely jam or preserves.
The overall atmosphere is one of leisure and domestic tranquility. The impressionistic brushstrokes and the interplay of light and shadow create a vivid and lively scene.
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