Egon Schiele – Seated girl
1911. Haags Gemeentemuseum voor Moderne
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The color palette is restrained, dominated by muted earth tones – ochre, beige, and pale yellow – which create a hazy, almost dreamlike atmosphere. The skin tone is rendered in washes of white with subtle blue undertones, lending it a pallor that reinforces the feeling of fragility. A striking contrast is provided by the vibrant red-orange hair, meticulously styled into an elaborate updo, which serves as a focal point and introduces a note of artificiality or constructed identity. The skirt, depicted in deep blues and purples, adds visual weight to the lower portion of the composition and provides a grounding element against the ethereal quality of the upper body.
The absence of background detail isolates the figure, intensifying her presence while simultaneously removing any contextual clues about her environment or social standing. This isolation contributes to an ambiguity regarding her emotional state; she appears neither overtly joyful nor sorrowful, but rather caught in a moment of quiet contemplation.
There is a palpable tension between the idealized presentation – the carefully styled hair and the suggestion of classical beauty – and the underlying sense of melancholy conveyed through the muted colors and simplified form. The exposed upper torso, handled with a degree of formality despite its nudity, hints at themes of exposure and vulnerability, perhaps suggesting an exploration of societal expectations or the complexities of female identity. The painting’s subtexts seem to revolve around notions of beauty, fragility, and the constructed nature of selfhood within a restrictive social framework.