Michel Leroux – The Non-reversible Season
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a row of commercial establishments, their facades partially obscured by snow accumulation. Signage indicates restaurants and shops, suggesting a bustling urban environment despite the wintry conditions. The architecture appears to be predominantly brick, with varying heights and details that contribute to a sense of layered history within the townscape.
The light source, positioned towards the upper right corner, casts long shadows across the snow-covered street, emphasizing the depth and three-dimensionality of the scene. A distinct orange hue permeates the air, likely reflecting off the snow and creating an atmosphere of warmth against the cool tones of winter. The artist employed a visible brushstroke technique, adding texture to the surfaces and contributing to the overall impression of immediacy.
Two figures are depicted walking along the sidewalk, bundled in coats and seemingly engaged in conversation. Their presence introduces a human element into the otherwise static composition, suggesting everyday life continuing despite the season’s chill. Several cars are parked along the street, their forms partially submerged in snowdrifts.
Subtly, the painting conveys a sense of quiet resilience. The buildings stand firm against the winter weather, and the people continue their routines. Theres an underlying feeling of familiarity and comfort associated with this place – a suggestion that even amidst the cold and darkness, there is warmth and connection to be found within community. The title’s implication of irreversibility hints at a melancholic acceptance of time’s passage and the cyclical nature of seasons, but it doesnt overshadow the present moment of beauty captured in the scene.