Bacchiacca (Francesco Ubertini) (Florence 1494-1557) – Woman with music book (103x80 cm) 1540-45 J. Paul Getty Museum

The portrait presents a young woman seated against a backdrop of muted green and shadowed architectural elements. She is positioned in three-quarter view, her gaze directed towards the viewer with a directness that establishes a sense of engagement. The composition is vertically oriented, emphasizing her stature and conveying an impression of dignified composure.
Her attire immediately signals status and refinement. A rich coral-red gown dominates the visual field, its deep neckline revealing a glimpse of pale skin and a delicate string of pearls around her neck. The sleeves are elaborately puffed and trimmed with what appears to be fur – likely sable or ermine – indicating considerable wealth. A decorative band at the waist features intricate embroidery, further highlighting the luxurious nature of her clothing. A jeweled headdress adorns her head, its design echoing the patterns found on her gown.
The woman holds an open music book in her hands, her fingers delicately positioned as if she is about to read or sing from it. The musical notation itself is rendered with a degree of detail that suggests its importance within the narrative of the portrait. This element introduces a subtext related to education and cultural accomplishment – music being considered a noble pursuit during this period.
The background, though somewhat obscured by shadow, contains a vase holding flowering branches, adding a touch of naturalism and hinting at an interior setting. A small still life arrangement is visible on the table in front of her; it features several birds depicted with meticulous detail. These avian figures could carry symbolic weight – perhaps representing freedom, or alluding to themes of song and harmony.
The overall effect is one of restrained elegance and quiet confidence. The artist has employed a palette dominated by warm tones – reds, corals, golds – which contribute to the impression of richness and vitality. The lighting is soft and diffused, highlighting her features without harsh contrasts. Her expression is subtle; it’s not overtly joyful or sorrowful, but rather conveys an air of thoughtful introspection. The portrait seems intended to portray a woman of intellect and refinement, someone who embodies the ideals of Renaissance humanism – a patron of the arts and a cultivated individual.