J. Paul Getty Museum – Lastman Pieter Pieters (Amsterdam 1583-1633) - Resurrection of Christ (43x32 cm) 1612
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Below, the foreground is populated with fallen individuals, their postures suggesting defeat and despair. A soldier in elaborate headwear lies prostrate, his body angled towards the viewer, emphasizing vulnerability. Another figure, clad in green armor, rests on the ground, face down, seemingly lifeless. To the left, a man in red garments recoils from the scene, his hands raised in what could be interpreted as shock or horror. He appears to be shielding himself from the divine spectacle unfolding above.
A winged figure, likely an angel, stands prominently between the celestial realm and the fallen figures. Its arm is extended towards the cross, acting as a conduit between heaven and earth. The angel’s posture conveys both authority and protection, suggesting a role of guidance or intervention in this moment of upheaval.
The artist employs a stark contrast between light and shadow to heighten the emotional impact. The radiant figure above casts an ethereal glow on the scene, while the foreground is shrouded in darkness, emphasizing the despair and defeat of those below. This chiaroscuro effect draws attention to the central narrative – the triumph of divine power over earthly suffering.
The landscape backdrop, rendered in muted tones, provides a sense of depth and context without distracting from the main action. The inclusion of foliage hints at nature’s witness to this momentous event.
Subtly, the painting explores themes of faith, mortality, and redemption. The fallen soldiers represent earthly power and dominion, which are ultimately overcome by divine grace. The angel serves as a symbol of hope and salvation, while the radiant figure above embodies resurrection and eternal life. The overall effect is one of awe-inspiring grandeur and profound spiritual significance.