Starnina, Gerardo di Jacopo (Florence c.1354 – 1409-13) – Madonna and Child with Musical Angels (87x50 cm) c.1410 J. Paul Getty Museum

The composition presents a central figure of a woman enthroned, holding an infant in her lap. She is draped in a dark blue robe with gold detailing and wears a golden crown. The throne itself is richly decorated with red and gold patterns, set against a backdrop of what appears to be a gilded architectural niche. Surrounding the seated figures are several smaller figures – winged beings – arranged on both sides. They appear to be engaged in musical activity, holding instruments such as trumpets and drums. At the base of the throne sits a shallow bowl filled with numerous small objects that resemble fruits or jewels.
The artist’s use of color is notable. The deep blue of the womans robe contrasts sharply with the gold accents and the warm tones of the surrounding figures, drawing immediate attention to her presence. The palette leans towards earth tones – ochres, reds, and browns – which contribute to a sense of solemnity and reverence. The faces of the winged beings are rendered with delicate features and expressions that suggest both joy and piety.
The arrangement of the composition suggests hierarchical importance. The central figure’s elevated position on the throne establishes her as the focal point, while the surrounding figures serve as attendants or witnesses to her divine status. The presence of musical angels introduces a layer of celebratory atmosphere, potentially symbolizing praise and adoration. The bowl at the base could be interpreted as an offering or symbol of abundance.
The style suggests a transition between late Gothic and early Renaissance aesthetics. While the flattened perspective and stylized figures are characteristic of Gothic art, there is also a nascent attempt to depict volume and depth, particularly in the folds of the drapery and the modeling of faces. The overall effect is one of dignified solemnity combined with a sense of burgeoning naturalism.