Veronese – A personification of Sculpture
c.1557-59 oil on canvas
Location: Private Collection
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has paid considerable attention to rendering the textures and folds of her drapery. A white garment, loosely gathered at the shoulders and chest, contrasts with the rich orange-red hue of the main robe that clings to her form, revealing the contours of her body beneath. A broad belt cinches the waist, emphasizing a sense of classical grandeur.
At her feet stands a small, nude child. He holds aloft what appears to be a sculpting tool – a chisel or gouge – and a partially formed sculpture, perhaps representing a human head. The boy’s direct gaze meets that of the woman, establishing a visual connection between them and suggesting a lineage or transmission of knowledge. His diminutive size underscores the scale of the female figure, reinforcing her symbolic importance.
The subtexts within this work revolve around themes of creation, artistry, and perhaps even legacy. The woman likely embodies an allegorical representation of Sculpture itself – a personification of the art form. Her serene expression and dignified posture suggest a timeless quality, while the child’s presence implies the continuation of artistic tradition through generations. The tools he holds are not merely instruments but symbols of creative power.
The dark background serves to isolate the figures, drawing attention to their symbolic roles and contributing to an atmosphere of solemnity and reverence for the act of creation. The overall effect is one of idealized beauty and intellectual depth, characteristic of works intended to celebrate artistic achievement and its enduring significance.